The Literary Theory

The Literary Theory

The Merchant of Venice William Shakespeare

A Love Story, A Loan Agreement, And A Courtroom Drama That Could Give Any Lawyer Insomnia Let us talk about The Merchant of Venice, Shakespeare’s charming little cocktail of romance, wit, borrowed money, and casual racism that he wrote long before HR departments existed. This is the play where Venice behaves like the original financial […]

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LIT Theory 010 Psychoanalytic Theory in Literature From Oedipus to Obsession and the Unconscious Between the Lines

How Freud, Lacan, and the Inner Drama of the Mind Changed the Way We Read Stories, Symbols, and Silences From The Professor’s Desk There’s a certain thrill in turning a page and realizing that the story knows you better than you know yourself. It’s not just that Hamlet can’t act — it’s that he reminds

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LIT Theory 009 Bakhtin and Dialogism: When Voices Collide

How Mikhail Bakhtin Turned the Novel into a Carnival of Clashing Truths and Talking Minds From The Professor’s Desk When Voices Collide: The Rise of Dialogism In the hushed intellectual corridors of early 20th-century Russia, amid the stifling airs of Stalinist ideology and the dry certainties of Formalist criticism, a quiet yet thunderous voice began

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LIT Theory 008 Reader-Response Theory in Literature: When the Reader Walked In

From Silent Observer to Meaning-Maker—The Rise of the Reader in Literary Theory From The Professor’s Desk When the Reader Walked In: The Rise of Reader-Response Theory For centuries, literature was a monologue—written by the author, decoded by the critic, and quietly admired by the reader. The text was sacred, the author was sovereign, and the

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LIT Theory 007 Ecocriticism in Literature: Reading Nature as Text

From Pastoral Reverie to Planetary Grief—How Literature Listens When Nature Speaks From The Professor’s Desk The Roots Beneath the Text Literary criticism, for centuries, has walked through drawing rooms, courtrooms, battlefields, and broken hearts—but seldom through forests. While love, power, identity, and rebellion have commanded the interpretive spotlight, the rustling of leaves, the groan of

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LIT Theory 006 Queer Theory in Literature: Unraveling Gender, Identity, and the Evolution of LGBTQ+ Narratives

Exploring the Disruption of Gender Norms, the Fluidity of Sexuality, and the Rise of Queer Narratives Across Literature and Society From The Professor’s Desk “Gender is not something we are, but something we do.” A stunning visual from RuPaul’s Drag Race, embodying the colorful world of drag culture and the power of queer self-expression. The

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LIT Theory 005 Feminism in Literature: Voices, Bodies, Power

Challenging Patriarchy through Text and Form from Woolf to Cixous From The Professor’s Desk The Fire Within Her ORDER YOUR COPY Opening: Feminism in Literature – A Revolutionary Voice Against Patriarchy For centuries, literature has been largely shaped and controlled by male voices, with male authors dictating the narratives, moral values, and structures of storytelling.

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LIT Theory 004 : Postcolonialism in Literature: Reading from the Margins

Empire Writes Back—And the Center Can’t Handle It From The Professor’s Desk There was a time when literature came wearing a powdered wig and spoke only in the accents of empire. Its maps were colored red, its characters were explorers and missionaries, and its readers were taught to see the world through the monocle of

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LIT Theory 003 : Deconstruction in Literary Theory : Breaking the Text, Bending the Truth

From The Professor’s Desk The professor often wonders why meaning, that most cherished possession of readers and critics, behaves like a well-mannered ghost: present enough to be sensed, but never quite caught in full. Literature, once thought to be the house of meaning, turns out to be haunted by absence, difference, and instability. And the

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LIT Theory 002: Poststructuralism in Literature

The Literary Rollercoaster with No Center, Only Play From The Professor’s Desk The Age of Uncertainty Begins There was a time—let’s say, mid-20th century—when we believed texts had stable meanings. Words behaved, authors ruled their pages like monarchs, and critics arrived with a magnifying glass and a firm belief in objective interpretation. That time is

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