A Quiet Journey through Literary Depths
Prosody: The Music of Poetry — from classical meters and rhyme schemes to the liberated rhythms of modern verse. From The Professor’s Desk An Invitation into the Sound, Structure, and Subtle Science of Prosody When Language Learns to Dance “Poetry is language at its most distilled and most powerful,” said Rita Dove. But behind that […]
“Prosody: The Music of Poetry” Read More »
Stream Of Consciousness: The Literary Technique That Let Readers Eavesdrop on Thoughts They Never Asked For ABS Believes: Punctuation is optional. Logic is fluid. And narrative is just a nervous breakdown with literary footnotes. Welcome to the glorious chaos where commas go to die, and writers stop editing their brains. Imagine reading someone’s actual thoughts—unedited,
A Literary Trick So Smooth, Even Ghosts Got Good Reviews There once was a man who believed you could have philosophical conversations with albatrosses, write poems about ancient mariners, and still be taken seriously by 19th-century readers in top hats. His name? Samuel Taylor Coleridge. And he had a problem. Not with laudanum (well, also
Celebration of Prizes, Prestige, and the Publishing World’s Favourite Popularity Contest ABS Believes: A trophy doesn’t make a book timeless—but it does make it a bestseller for two weeks.Prizes are where literature meets marketing, and genius is filtered through judging panels with jetlag.But still—we cheer, we argue, we Google the winner (and promise to read
“Trophies for the Wordsmiths: When Literature Wins (and Sometimes Regrets It)” Read More »
Hopkins, Nursery Rhymes, and the Great Metrical Rebellion ABS Believes: Poetic rhythm shouldn’t behave like a parade. It should behave like a toddler on sugar: unpredictable, adorable, and terrifyingly free. The Meter That Misbehaved There are two types of rhythm in this world: The kind that walks into a room, straightens its tie, and recites
“Sprung Rhythm: When Poetry Got Tired of Marching and Started Skipping” Read More »
Who wrote, who won, who refused — and why the biggest literary award is also the most controversial applause in silence. Once upon a ticking time bomb, there lived a man named Alfred Nobel — a chemist, engineer, weapons manufacturer, and accidental godfather of literary prestige. He invented dynamite, made millions off explosives, and then
The Nobel Prize: From Dynamite to Drama Read More »
From Godot’s Delays to Rhinoceros Rampages—Why Drama Finally Snapped ABS The Literary Scholar Believes: That when history becomes incoherent and coffee loses meaning, theatre must step in—not to explain, but to mirror the madness back with impeccable comic timing. Welcome to the Play Where Nothing Happens—and That’s the Point Let’s begin with a confession: this
“Curtain Call for Logic: A Backstage Pass to the Theatre of the Absurd” Read More »
How Freud, Lacan, and the Inner Drama of the Mind Changed the Way We Read Stories, Symbols, and Silences From The Professor’s Desk There’s a certain thrill in turning a page and realizing that the story knows you better than you know yourself. It’s not just that Hamlet can’t act — it’s that he reminds
How Mikhail Bakhtin Turned the Novel into a Carnival of Clashing Truths and Talking Minds From The Professor’s Desk When Voices Collide: The Rise of Dialogism In the hushed intellectual corridors of early 20th-century Russia, amid the stifling airs of Stalinist ideology and the dry certainties of Formalist criticism, a quiet yet thunderous voice began
LIT Theory 009 Bakhtin and Dialogism: When Voices Collide Read More »
From Silent Observer to Meaning-Maker—The Rise of the Reader in Literary Theory From The Professor’s Desk When the Reader Walked In: The Rise of Reader-Response Theory For centuries, literature was a monologue—written by the author, decoded by the critic, and quietly admired by the reader. The text was sacred, the author was sovereign, and the
LIT Theory 008 Reader-Response Theory in Literature: When the Reader Walked In Read More »